Kelp Road will be presented as part of Sonologues on the super cool 16 channel Redshift Array. The event runs November 21-28 at the Roundhouse in Vancouver and also includes pieces by Annette Brosin, Christopher Reiche, Mike WT Allen, Jordan Nobles, and Colin MacDonald. Kelp Road should be on 4-10 PM on the 22nd.
BEER will present a performance of Dark Matter as part of Falmouth University’s lunchtime concert series on October 17th. We’ll be around the day before giving a workshop on live coding. Looking forward to having Norah Lorway back in the group! More tour dates to come…
A multichannel concert with NoiseLab in Bristol; details here… To include works by myself, Annie Mahtani, James Carpenter, Jonty Harrison, and Zlatko Baracskai. Earlier in the day I’m doing a talk on the history and practice of spatial audio.
The fabulous Mari Fukumoto will premiere my new Music for Manic Machines for organ and electronics  on October 28th. This is the first installment of the ongoing Sonus ex Machina project, so stay tuned for other performances (including at BEAST FEaST in April). Presented by Poznań Spring (in the Autumn).
…over on the BEAST site. Check it out!
Tas, Luca and I will be talking and playing some music in Nottingham at New Art Exchange, August 22nd. Talk at 18:30, musical performance to follow. Details…
Really delighted that Darragh Morgan‘s For Violin and Electronics is now out on Diatribe Records, which includes a recording of my work Flame, which I wrote for him some years ago. This is alongside fantastic pieces by Simon Emmerson, Ricardo Climent, Paul Wilson, Jonathan Nangle and Jonty Harrison.
Delighted that the latest instalment of BEAST FEaST will take place April 27 – 29th, with featured guests Paula Matthusen, Pierre Alexandre Tremblay, and Sarah Farmer, the Pestova/Roche/Rees Trio, and a keynote by Simon Emmerson. Having sat it out the last few times I’ve actually got some things in myself this year! The Kelp Road installation …
My collaboration with Anne Parouty is on show until early May in the Bramall Music Building Foyer at the University of Birmingham. This is an audiovisual installation consisting of Anne’s beautiful cyanotype prints of kelps, and sounds derived from numerous recording trips to Wales. This is the culmination of two years of work, so we’re …
We’ll be at the International Conference on Live Coding in Hamilton Canada this week. Workshop on Utopia on Wed, Concert with our Dark Matter project on Thurs. Details here: http://iclc.livecodenetwork.org/2016/schedule.html