Listed in reverse chronological order
On the Impossibility of Reflection… (2010) for piano and interactive electroacoustics
commissioned by Xenia Pestova
Böse (2010) for large scale multichannel electroacoustic system
premiered at the 2010 Inventionen Festival in Berlin
Vortically... (2009) for bass flute and live electroacoustics
commissioned by rarescale
Gotlandic Miscellanea (2008) for large scale multichannel electroacoustic system
Broken Allegory (2008) for percussion (2 congas, 2 bongos, floor tom) and live electroacoustics
commissioned by Aiyun Huang
Sleazy Pieces (2007) for large ensemble (fl/picc, fl, cl, 2 sop sx, Hn, Tpt, 2 Tbm, Tba, Perc (1 player), Pno, E. Guit, B. Guit)
commissioned by Orkest ‘de ereprijs’
Brennen (2007) for clarinet and interactive computer system
commissioned by Jean-Guy Boisvert
BEASTLY Fanfare (2007) for large scale multichannel electroacoustic system
Fluxion (2006) for quarter-tone alto flute, piano, and interactive computer system
commissioned by rarescale
Flame (2006) for violin, interactive computer system, and optional interactive video system
commissioned by Darragh Morgan
Four Names of Beauty (2005) for orchestra
premiered by the Esprit Orchestra
Crush (2004) for solo percussionist
commissioned by Morris Palter
Netori (2004) for clarinet, trumpet, two percussionists, piano, violin and doublebass
commissioned by ArrayMusic
Shuttle Dreams (2004) shadow puppet music theatre for two puppeteers, piano, found percussion, and live electroacoustics
with composer Daria Kwiatkowska and puppeteers David Powell, and Mark Keetch
Tadayo (2003) for koto and bass koto (1 player) and Javanese gamelan orchestra
commissioned for kotoist Ryuko Mizutani and Gamelan Lambangsari
Clouds pass over it… (2003) for flute, clarinet, bassoon, horn, percussion, harp, violin, viola, cello
composed for the National Arts Centre Orchestra Young Composers Programme
Gentle, Breathing (2003) for solo accordion
commissioned by Anne-Maria Hollmach
Thinking about Judy… (2002) duration indeterminate; sound installation for balloons, condoms, piezo-electric disks, speakers and CD players; based on works of Judy Dunaway
created for a Musicworks fundraiser
All Saints Day (2002) (collaboration with composer Nick Akers) performance for several performer/readers (of as many different languages as possible) and electroacoustics
13 Angels (Ein jeder Engel ist Schrecklich) (2002) for flute/piccolo, clarinet, percussion, piano, violin, cello and electroacoustics (live or tape, variable numbers of channels)
commissioned by Continuum Contemporary Music
L’Estate (some fractured thoughts on Summer) (2002) for soprano saxophone, percussion, piano, cello and CD player
commissioned by Ensemble Symposium
Invocation (2001-2) for solo trombone and interactive computer system (Macintosh running SuperCollider)
commissioned by Abbie Conant
Müllmusik (2000-1) multi-channel electroacoustic work with optional video and installation elements
completed as part of a long term residency at The Center for Art and Media (ZKM) in Karlsruhe,
Germany
For Daria Kwiatkowska (nocturnal) (1998-2000) for solo tuba and computer (Power PC Macintosh
running SuperCollider)
King (1994-6, 2000-) chamber opera in two acts (work in progress)
Scenes performed 1996, 2000
Possibly Beautiful (2000) for bass (17 string) koto and CD player
commissioned by Ryuko Mizutani
For Mel Mercier (crickets and rainclouds are living outside my door) (1999) for four CD players in a darkened space
For Rodney Sharman (nach der Winterreise) (1999) for organ, trombone, clarinet and viola
Listowel 1988 (1999) (collaboration with composer Molly Sturges) performance/installation for two
performer/dancers, reel to reel tape recorder, Irish bouzouki with ebow, kitchen implements in
water, Macintosh computer running Supercollider, and two pianos with speaker drivers; text by
Peader Mercier
Come to me from Krete… (1998) for soprano, C tin whistle, Bb clarinet, pianoforte, guitar
(classical), percussion, and cello (all double simple percussion)
text by Sappho
commissioned by Ensemble Symposium
Winner First Prize 1999 SOCAN Competition, Godfrey Ridout (Vocal) category
- version for soprano, accordion, harp and percussion (2002)
For Lowell Morris (subscript superscriptio) (1997-8) for solo piccolo and tape
commissioned by Chenoa Anderson
Newfoundland [found] Song (1997-8) for alto saxophone, piano/synthesiser,
percussion, electric guitar, and CD player
commissioned by Ensemble Symposium and Vancouver Pro Musica
Red Light (1998) for cello, bass clarinet and tape
Reduce, Reuse, Recycle (1997-98) for tape
Tá mé mo choladh 'sná dúistear mé (I am asleep and do not waken me…) (1996-98) for harp and violin
Fracture (1995-97) for three percussionists
(thinking of other trains) (1997) for string trio
Blow (1996) for tape
Easy Pieces (1996) for ensemble ‘de ereprijs’ (2fl, Bs Cl, 2 Sop Sax, Hn,Trp, 2 Tmb, Bs Tba, Elec
Gtr, Elec Bs Guit, Pfte, Perc)
Lyric dis/integrations (1995-96) for processed electric guitar, MIDI wind controller and keyboard, mezzo-
soprano, and optional computer controlled video (with Lena Olin); texts in Ancient Greek by
Alkman, Sappho, Praxilla, Archilochos, and Simonides
Revolve (1996) for violin, clarinet, cello, and piano
- version for chamber orchestra (1997-98) strings 4/3/3/3/1, timp, perc
Strings (1996) for 8 channel tape
- stereo version (1996)
If a tree falls ... (1995) (music for dance) for guitar, tenor recorder, soprano saxophone, piano, marimba,
and electroacoustics
composed for the Off Centre Dance Company at Simon Fraser University
Not More Than Six Minutes (1995) for chamber orchestra and industrial percussion
Winner First Prize Vancouver Community College Orchestral Composition Competition
Symposium (1995) for electric guitar, piano, vibraphone, and MIDI wind controller; or any two
polyphonic instruments with any two monophonic instruments
The Trichotomy of Shannon (1994-95) film score for voices and processed sound
Improvisations 2-7 (1993-4) for mezzo-soprano and piano
Looking (1993) film score for solo cello
Happy Birthday to Me (1992) for avant-garde jazz orchestra
