I’ll be contributing to this year’s Imaginary Landscapes at the Networked Imagination Laboratory in Hamilton in three ways: On Saturday April 14th, I’ll do a solo Dark Matter performance in the 8PM concert. On Monday the 16th, Kelp Road will make an appearance in the 4PM concert, and earlier in the day I’ll give a workshop on …
I’m extremely excited that Esprit Orchestra and Alex Pauk will be premiering my new piece for orchestra, electronics and video (a spin off from our Dark Matter project with BEER and CERN) as part of their season finale on April 15th in Toronto. In advance of that I’ll be giving workshops at the Ontario Science …
So excited about this event with Continuum, performances December 8-9th in Toronto. Includes the premiere of From the Diaries of William Lyon Mackenzie King, a project/concept that I’ve been coming back to in different forms for 20 years or so. It’s been great collaborating again with the wonderful Alexandra Oliver, and for the first time with the …
Kelp Road will be presented as part of Sonologues on the super cool 16 channel Redshift Array. The event runs November 21-28 at the Roundhouse in Vancouver and also includes pieces by Annette Brosin, Christopher Reiche, Mike WT Allen, Jordan Nobles, and Colin MacDonald. Kelp Road should be on 4-10 PM on the 22nd.
The fabulous Mari Fukumoto will premiere my new Music for Manic Machines for organ and electronics on October 28th. This is the first installment of the ongoing Sonus ex Machina project, so stay tuned for other performances (including at BEAST FEaST in April). Presented by Poznań Spring (in the Autumn).
Really delighted that Darragh Morgan‘s For Violin and Electronics is now out on Diatribe Records, which includes a recording of my work Flame, which I wrote for him some years ago. This is alongside fantastic pieces by Simon Emmerson, Ricardo Climent, Paul Wilson, Jonathan Nangle and Jonty Harrison.
